![]() Jaglom was identified as the nexus for the distribution of the statement ascribed to Welles. In May 1988 “Theater Week” published a column featuring a collection of quotations. Orson Welles once said that absence of limitations was the enemy of art. However, no precise information about the source of the expression was provided: 1988 February, Metropolitan Home, Volume 20, “Home Takes Shape from the Inside” by Ziva Freiman, Start, Quote, Published by Meredith Corporation, Des Moines, Iowa. … Continue reading The author mentioned the maxim and credited Welles. In February 1988 “Metropolitan Home” magazine published an article titled “Home Takes Shape from the Inside” by Ziva Freiman. Here are additional selected citations in chronological order. QI has not located any direct evidence of the statement in the writings of Welles or in an interview with Welles. Yet, the above cite is crucial because QI conjectures that Jaglom was the person responsible for placing the adage into circulation. The earliest evidence located by QI appeared a few years prior to 1992 in a magazine dated February 1988. Instead of having money to hire hundreds of extras, you have to sneak a cameraman in a wheelchair through the streets of New York City and steal the shot, which gives you a look of much greater reality. You have limitations you don’t have $1-million to blow up that bridge, so you have to create something else on film to produce the same effect. Orson Welles once said to me at lunch, “The enemy of art is the absence of limitations.” Economically and creatively that’s the most important advice you can be given. Squire, Second Edition, “The Independent Filmmaker” by Henry Jaglom, Start, Quote, Fireside: Simon & Schuster, New … Continue reading Boldface has been added to excerpts: 1992, The Movie Business Book, Edited by Jason E. An instance of the saying was credited to Orson Welles by Jaglom. Quote Investigator: The most revealing citation located by QI was published in the 1992 edition of “The Movie Business Book” within a chapter written by the filmmaker Henry Jaglom. I have not been able to find a good citation for this popular remark. Here are two versions of the adage ascribed to Welles :ġ) The enemy of art is the absence of limitations.Ģ) The absence of limitations is the enemy of art. The final work may embody a heightened artistry. ![]() When a performer or creator faces a limit such as a tight budget for a production then creative thought and innovative techniques are required. In strongly typed interpreted languages with dynamic datatypes, most variable references require a level of indirection: first the type of the variable is checked for safety, and then the pointer to the actual value is dereferenced and acted on.Orson Welles? Henry Jaglom? Mildred Pitts Walter? Dom Hofmann? Apocryphal?ĭear Quote Investigator: The brilliant movie director Orson Welles has been credited with a fascinating statement about the construction of artworks in the presence of constraints. Delegation is another classic example of an indirection pattern. Higher-level examples of indirection are the design patterns of the proxy and the proxy server. ![]() Object-oriented programming makes use of indirection extensively, a simple example being dynamic dispatch. It is always possible to add another level of indirection. ![]() It is easier to move a problem around than it is to solve it. Humorous Internet memorandum RFC 1925 insists that: Kevlin Henney's corollary to this is, ".except for the problem of too many layers of indirection." In some older computer architectures, indirect words supported a variety of more-or-less complicated addressing modes.Ī famous aphorism of David Wheeler goes: "All problems in computer science can be solved by another level of indirection" this is often deliberately mis-quoted with "abstraction layer" substituted for "level of indirection". A stored pointer that exists to provide a reference to an object by double indirection is called an indirection node. For example, accessing a variable through the use of a pointer. The most common form of indirection is the act of manipulating a value through its memory address. In computer programming, indirection is the ability to reference something using a name, reference, or container instead of the value itself. Freebase (0.00 / 0 votes) Rate this definition:
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